What makes the film disturbing is that women willingly succumb to the fascination of rituals of power and - in men's imagination - abandon the territory of innocence and the presumption of women's moral superiority, rejecting the gentleness of other women's films, which, like Agnès Varda's last work, promise 'love without cares'. This film shows not a trace of fearfulness. On the contrary, it is calculated to evoke fear in those who put up resistance against the fascination of this ritualized and totally aestheticized power.
Karsten Witte, Die Zeit